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June 2009
Last Month's Debt: -1 A rather odd, but short spree this month as I read a woman's book (The Notebook), a man's book (Crooked Little Vein) and a dead man's book (The Salmon of Doubt). I don't really see any connections between them, other than the fact that I read them all and will now review them all, kicking off Year 3 of the polysyllabic spree! I love you, Man (2009)It's impossible to talk about I love you, man without talking about the entire Judd Apatow oeuvre (even though this film was not written or directed by Apatow), an oeuvre that has escaped from the prison of television only to explode across the cinema, a place where asshole television executives (Freaks & Geeks, Undeclared) cannot cancel his quirky brand of humor. I love you, man seems like a sequel/spinoff to Role Models (another movie not written or directed by Aptow), but this time Paul Rudd (who was in lots of Aptow movies) is teamed up with Jason Siegel (author of Dracula's Lament, ie: Dracula the Musical from Forgetting Sarah Marshall, also not an Aptow movie, but Siegel is a primary Aptow actor appearing in both of the above mentioned TV shows, as well as many of the movies) instead of Stifler (American Pie, not an aptow film) and instead of worshiping the music of Kiss, this movie worships Rush. Now I was going to talk about the plot here, but let's set that whole movie business aside and talk about John Favreau's role in this film. Never before have I seen an actor (using the word lightly to describe the director of Swingers) throw aside screen time in such a nonchalant way and yet steal every scene he's in. Favreau's character doesn't like the main character (Paul Rudd) and does everything he can to avoid him, thus avoiding the camera, thus avoiding the movie. He refuses conversations with him, he cuts him off midsentence, he walks off screen and he gets projectile vomited on. He is the jock to the film's geek. But his relationship with his wife still haunts me to this day. He's married to Joy (from my name is earl, r.i.p.) and they fight constantly. But they settle each fight with a whispered sex negotiation, the juiciest of which was where he requested she dress up a cheerleader to settle the fight and make it up with him. She quickly agreed. What a fantastic character. As the fiancée character says when leaving their house, "It's horrible, they fight all the time and then have really loud make-up sex." I love you, man is worth seeing if you like Aptow-style comedies, which is really the only kind of comedy they make anymore, unless you count remakes or those movies that mock other movies (badly). So you have to see I love you, man if you want to laugh. There's really no other game in town. Angels and Demons (2009)I gotta say, I really liked Da Vinci Code better than Angels and Demons. Da Vinci was detective story (that I was interested in), while Angels and Demons is really one big chase sequence, all foiled by the age old question: Why do villains leave clues to their schemes, when these clues always lead the hero to them, allowing the hero to foil their plot? This movie takes so many bizarre twists and turns, I don't even know where to start. Would you believe that it involves the Large Hadron Collider (LHC) and the plot revolves around an anti-matter bomb (is this star trek? no wait, that was "red" matter)? Is this a religious movie? Oh wait, it is all about the Vatican, Popes and Obi Wan Kenobi. But aren't the Jedi Buddhist? That doesn't make any sense. This is the Bourne Ultimatum of religious theory movies, follow Tom Hanks as he rattles off obscure historical facts while running. Amelie (the Virgin Mary) was replaced by a hispanic woman with no character, but you'll hardly notice, because you'll be too busy running. Don't stop running! Time is running out! The Untouchables (1987)I rewatched The Untouchables (yet again, but classics don't get old) in the background while doing laundry and cleaning up the house. So I don't really have much to say. I was shocked as always by the scene where DeNiro (doing an incredible Al Capone) kills a guy with a baseball bat at a fancy dress dinner. It's funny how a combination of the brilliance of DePalma's directing and DeNiro's timing create an absolutely enduring image. Al is making a speech, talking about the importance of teamwork and brandishing a baseball bat. He walks around the table and the tension builds. Duck, Duck, Duck... Duck.... Goose! He smacks a guy in the head with the bat. Bam Bam Bam. He hits him again. The music swells and the table fills with blood. The white table cloth ruined. Powerful. Henry Poole is Here (2008)Again, I watch another modern movie on Netflix streaming and again it's not what I expected. Henry Poole is Here is labeled comedy, but it's really a long drama with no jokes. Henry (Luke Wilson) is dying of an unknown disease so he returns to where he grew up and buys a house. A house that gets restucco-ed, leaving a stain on the wall. His next door neighbor believes the stain to be the face of Christ and her suspicion is confirmed when the stain bleeds, heals a quiet child and performs a few other minor miracles. Here's where I think the film could have split off into comedy. There should be too many miracles. Like all of his pipes putting out wine instead of water and his grass growing up real nice and tall. A whole cast of wacky characters could have become convinced, instead of just the annoying Mexican lady from next door. Instead, the dying man (who was previously intent on drinking himself to death, and could have used that water into wine trick, but is now distracted from his death by keeping his neighbor at bay) strikes up a romance with the divorce' next door who's quiet child is cured by his magical wall. You know the ending. Magical walls are best at curing diseases that don't exist. I'm not saying it's a bad dramedy, but it's certainly no comedy and is really depressing. Maybe next time I look for a streaming comedy on Netflix I can watch a Three Stooges or a Marx Brothers film. Something old and safe that will actually be a comedy. |
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